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Steven Pressfield: The Path to Great Writing, Overcoming Resistance, and Finding Your Voice | How I Write

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127,537 views vs a median of 171,205 across the channel's last 8 long-form uploads · as of Oct 30

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In this wide-ranging interview on How I Write, author Steven Pressfield sits down with host David Perell to unpack the disciplines, mindsets, and storytelling mechanics honed across his career. Pressfield details his decades of failure before publishing 'The Legend of Bagger Vance' at age 52, explains how to blitzkrieg through first drafts, and explores the metaphysical nature of creative resistance. He also offers deep insights into narrative architecture, the hero's journey, copywork, and why mental toughness is essential for any working artist.

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How it earns the click and holds attention, second by second.

14chapters4on-screen captures12people7named frameworks15claims and stats20references in all
Source: How to Write Absurdly Good Stories (Steven Pressfield Interview) · David Perell
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    The explainer

    What the video says, with a link to every moment

    A 2-minute read. Each underlined phrase opens the video at that second.

    In this in-depth conversation on How I Write, acclaimed author Steven Pressfield reflects on his turbulent journey from working menial jobs and cab driving to publishing his debut novel at age 52. Emphasizing that discipline vastly outperforms raw talent, Pressfield outlines his philosophy of the working artist: working seven days a week and ending the session when typos reveal mental fatigue1:41. He recounts how hitting rock bottom in a cheap sublet apartment—sitting down to write gibberish on an old manual typewriter and then realizing while washing dishes whistling4:15 that he had turned a psychological corner—anchored a lifelong creative commitment.

    Pressfield breaks down the craft mechanics of generating and finishing creative work. For initial drafting, he relies on the mantra of covering the canvas6:50 and draws inspiration from General Israel Tal's armored doctrine in the Six-Day War, arguing that writers must bypass obstacles like a blitzkrieg7:50 rather than getting bogged down in attrition. To develop taste and internalize narrative cadence, he strongly advocates copywork of literary masters11:15, citing how Hunter S. Thompson typed out The Great Gatsby to feel the rhythm of greatness. He parallels this with golf swings, noting in The Legend of Bagger Vance14:38 that artists must discover their innate, authentic voice rather than conforming to homogenizing trends.

    Diving into the metaphysics of creation, Pressfield explores the Kabbalistic concept of the soul, or the Neshama reaching down20:40 to assist human effort, comparing the writing process to excavating a dinosaur fossil25:30. He explains that non-fiction and screenwriting share universal storytelling principles, including the rule that the female carries the mystery44:20 and the critical role of the all is lost moment58:40 where material solutions fail and spiritual surrender becomes necessary. He and Perell discuss how creative individuals must develop negative capability—the ability to advance in the middle of doubt35:25—while recognizing that resistance intensifies in direct proportion to the love and importance of the work.

    Addressing the commercial realities of the trade, Pressfield revisits lessons from advertising compiled in his book Nobody Wants to Read Your Shit1:06:10, emphasizing the necessity of streamlining core messages and respecting audience attention. Maintaining artistic integrity requires learning the power of saying no1:08:35 to preserve creative hours, as well as recognizing that true transformation requires suffering because heroes learn through adversity1:20:35. Concluding with his daily devotional The Daily Pressfield, he reminds writers that resistance wakes up every morning1:25:05, demanding professional resolve every single day.

    Highlights
    1. 1:41Stopping the writing day when typos begin
    2. 7:50General Israel Tal's blitzkrieg doctrine applied to writing
    3. 14:38The authentic swing and finding your innate voice
    4. 35:25Negative capability and navigating intense self-doubt
    5. 58:40The 'all is lost' moment and spiritual resurrection
    6. 1:25:05Resistance waking up every day and the daily battle
    Chapters across the 1:26:18 runtime
    How it's told

    In-depth studio interview on writing and Resistance

    Format: Interview. David Perell interviews author Steven Pressfield on his creative philosophy, craft techniques, and long struggle with Resistance. Pressfield illustrates narrative principles using metaphors from warfare, sports, and classical literature.

    Story arc

    1. 0:00Hook & DisciplineTeaser highlights emphasizing discipline over talent, the reality of Resistance, and momentum in first drafts.
    2. 0:36Career Arc & StaminaSteven reflects on whether his craft has improved over 24 books and how typos reveal cognitive exhaustion.
    3. 2:25Protecting Creative TimeCompartmentalizing administrative tasks away from morning writing sessions.
    4. 2:53Nomadic StrugglesPressfield details living in a camper, driving cabs, and the breakthrough night in NYC where he finally finished a page.
    5. 5:21Friction in WritingAnalyzing how the tactile friction of typewriters compares to computers and the pitfalls of easy digital deletion.
    6. 6:42Cover the CanvasEmbracing bad first drafts through relentless forward momentum inspired by military blitzkrieg tactics.
    7. 8:32Warrior vs LoverHow working artists balance hard structural discipline with receptivity to spiritual inspiration.
    8. 11:09Power of CopyworkRetyping masters like Hemingway, Fitzgerald, and Miller to absorb rhythm and cadence.
    9. 14:21The Authentic SwingGolf as a master metaphor for discovering one's innate creative voice.
    10. 17:45Voice vs HomogenizationExamining the modern internet's algorithmic tendency to dilute idiosyncratic writing.
    11. 18:37Cinematic Non-FictionApplying three-act structure, antagonistic forces, and climactic stakes to non-fiction.
    12. 20:18Neshama & InvocationsConnecting the Kabbalistic concept of higher soul guidance with Homer's invocation of the Muse.
    13. 22:17Excavating the StoryReconciling clear conscious outlines with the organic discovery of a story akin to unearthing a fossil.
    14. 27:47Pacing & Reader PerceptionUtilizing Brian Eno's arrangement principles to judge narrative length and reader immersion.
    15. 31:13Writing WednesdaysHow audience demand pivoted Pressfield from military history to creative mentorship.
    16. 33:58The Ideal CurriculumWhy aspiring writers need instruction on Resistance and mental toughness rather than grammar.
    17. 36:05Elite CompetitorsTracing Michael Jordan's adaptation to physical adversity as a model for creative persistence.
    18. 40:18Surrendering to NatureOvercoming Protestant work-guilt by embracing natural writing strengths and finding joy in flow.
    19. 41:02Solitude & EnduranceThe solitary reality of 400-hour first drafts and years of self-doubt without institutional praise.
    20. 43:00The 60-Scenes OutlineStructuring long-form narratives using clothesline index card boards.
    21. 46:27Contextual StyleAdopting archaic, formal diction to transport readers into ancient Sparta.
    22. 49:17Anatomy of the AntagonistThe structural necessity of powerful villains, from internal neuroses in Silver Linings Playbook to existential death.
    23. 53:36All Is Lost ArchetypeLinking dramatic rock-bottom moments to the universal myth of crucifixion and spiritual resurrection.
    24. 56:27Hitting BottomAddiction recovery parallels where ego surrender precedes authentic creative rebirth.
    25. 1:00:55Mentorship of Paul RinkThe pivotal lessons learned from an elderly mentor living in a camper van named Moby Dick.
    26. 1:03:01Early Failures & NaiveteDebunking the illusion that writing is easy and surviving 35 years before publishing a novel.
    27. 1:06:55Nobody Wants Your Sh*tLeveraging advertising principles of ruthless audience empathy to capture attention.
    28. 1:08:01Discipline of Saying NoThe vital habit of saying no to preserve deep creative blocks against everyday encroachment.
    29. 1:11:45Suffering as Character GrowthAnalyzing why heroes must be subjected to ordeal to earn transformation, citing The Forgotten Soldier.
    30. 1:16:55Etymology of InspirationExploring ancient linguistic roots connecting breathing, spirit, and artistic inspiration.
    31. 1:20:07Coining WordsFabricating believable historical terminology to deepen reader immersion.
    32. 1:23:58The Daily Pressfield & WrapReviewing Pressfield's 365-day field guide to combating creative Resistance and concluding the interview.

    Setups and payoffs

    1. 0:00Setup Steven asserts that discipline without talent beats giant talent without discipline
      ↳
      41:02Payoff Steven details the brutal math of a 400-hour draft and the necessity of solitary persistence through years of self-doubt
    2. 0:15Setup Steven describes getting paint on every part of the canvas
      ↳
      6:42Payoff Steven reveals his operational rule 'cover the canvas' and relates it to General Tal's tank division doctrine
    3. 0:25Setup David mentions Hunter S. Thompson retyping The Great Gatsby
      ↳
      13:45Payoff Steven explains how imitation eventually led Thompson to break through into his authentic gonzo voice
    4. 4:15Setup Steven notices himself whistling while washing dishes after finishing a session
      ↳
      1:01:14Payoff Steven defines the whistling moment as his 'resurrection moment' when creative work ceased being an existential panic
    5. 9:25Setup Steven discusses 'taking the voltage' of inspiration
      ↳
      20:25Payoff Steven and David discuss the Neshama and the daily invocation of the Muse
    6. 26:47Setup David holds up a physical copy of The War of Art
      ↳
      34:42Payoff Steven explains why the book demanded a tough-love, drill-instructor voice

    Devices

    • MetaphorConceptualizing the messy first draft as blitzkrieg armored warfare where obstacles must be bypassed rather than engaged6:42
    • AnalogyDescribing story development as paleontology, carefully dusting off dinosaur bones without knowing the beast's full size22:50
    • Sports AnalysisComparing basketball footwork development to writers mimicking classic authors before developing their authentic swing12:31
    • Mythological ParallelMapping screenwriting's second-act midpoint and 'All Is Lost' crisis directly onto the Crucifixion and Resurrection53:36
    • Personal NarrativeRecounting the tiny New York apartment and the breakthrough moment of sitting down to type without running3:25
    • Prop DisplayPresenting physical copies of The War of Art and The Daily Pressfield to ground conceptual ideas26:471:24:00

    From the video's own structure, matched to the transcript and on-screen text.

    Teardown

    This video earns clicks through Pressfield's authoritative contrarian stance on talent, but retains primarily dedicated writers through philosophical endurance lessons rather than a tight craft tutorial.

    About typical for the channel: 0.7× its typical views (127,537 vs a median of 171,205 across the channel's last 8 long-form uploads, as of Oct 30) · Long-form interview · 1,072 days old

    The promise

    Viewers believe bestselling author Steven Pressfield will show them how to write compelling stories without relying on natural talent.

    Packaging

    How it looks in the feed

    Show the feed as
    1:26:18

    How to Write Absurdly Good Stories (Steven Pressfield Interview)

    David Perell127K views · 2y agoSteven Pressfield waded through 27 years of Resistance so you don’t have to — come learn his best practices to creating your best work. TIMESTAMPS: 00:00:00…

    Views and age as of the teardown, Oct 30, 2026. Other videos are blanked out.

    • 4/5Thumbnail imageThe clear three-quarter close-up captures an expressive moment mid-conversation. The muted, soft-focus background lets the speaker and the high-contrast text stand out cleanly.Steven Pressfield looking slightly off-camera with a raised hand gesture in warm, clean indoor lighting.
    • 4/5Thumbnail text“"Writing Talent Is Overrated"”The four-word quote offers an immediate contrarian claim that relieves aspiring writers of self-doubt. The serif typography reads cleanly against the dark backdrop.Large white serif text reading "Writing Talent Is Overrated" set in quotes on the right half of the frame.
    • 3/5TitleThe title clearly states the outcome and names the authority, but relying on a parenthetical interview tag makes it read like a standard podcast.The phrase 'How to Write Absurdly Good Stories' followed by '(Steven Pressfield Interview)'.
    • 4/5Title + thumbnailThe thumbnail challenges a limiting belief about talent, while the title promises the practical solution for crafting great stories.The thumbnail text claims talent is overrated while the title offers the method to write absurdly good stories.

    Curiosity gap: If innate talent is not what creates great writing, what skill or process actually does?

    The three hooks

    The title, the thumbnail text and the first words spoken each make a promise, and each does a different job.

    • Title“How to Write Absurdly Good Stories (Steven Pressfield Interview)”How-toOutcomeProofIt makes the viewer want to learn proven storytelling techniques from an established master novelist.
    • Thumbnail text“"Writing Talent Is Overrated"”Contrarian takeReliefCuriosityIt makes the viewer want to discover what matters more than natural gift in the writing process.
    • First words spoken“If you have discipline and no talent, you are way better off than if you have giant talent and no discipline.”Contrarian takeReliefCuriosityIt reassures aspiring writers that hard work beats raw talent and makes them want to learn how to cultivate that discipline.
    • PairingDifferent jobsThe thumbnail hooks viewers with a provocative belief-busting quote while the title clarifies the guest and the actionable craft being taught.
    • StakesFitsAspiring writers risk wasting decades on failed drafts and self-doubt, so learning realistic daily endurance rules from a veteran author directly impacts their creative survival.
    • UrgencyNoneThe video presents timeless creative philosophy and long-term narrative principles with zero time-bound penalty for delaying viewing.

    The first 20 seconds

    TimeWhat you seeWhat you hearWhat it does
    0:00Steven Pressfield sits in an armchair, speaking with open hands. On-screen text reads: 'If you have'.Pressfield: 'If you have discipline...'Immediately drops the viewer into a strong declaration about creative work.
    0:01Pressfield gestures emphatically. On-screen text updates to: 'discipline and no'.Pressfield: '...and no talent...'Sets up a direct contrast between discipline and talent.
    0:02Pressfield continues gesturing outwards. Text displays: 'talent,'.Pressfield: '...you are way better off...'Presents a contrarian verdict that challenges conventional creative beliefs.
    0:03Pressfield smiles slightly while gesturing. Text reads: 'you are way better off'.Pressfield: '...than if you have...'Builds anticipation for the second half of the comparison.
    0:04Cut to host smiling and listening attentively. Text reads: 'than'.Pressfield (voiceover): '...giant talent...'Shows host's reaction, validating the guest's statement.
    0:05Host continues listening with an engaged expression. Text reads: 'giant talent'.Pressfield (voiceover): '...and no discipline.'Delivers the punchline of the opening soundbite.
    0:06Cut back to Pressfield laughing and gesturing broadly. Text reads: 'and'.Pressfield completes sentence and background ambient music pulses.Reinforces the guest's warmth and authority.
    0:07Pressfield rests his arm on the chair. Text reads: 'discipline.'.Music builds lightly beneath spoken transition.Closes the first soundbite cleanly.
    0:08Cut to host leaning forward, talking actively. Text reads: 'The more that you love'.Host: 'The more that you love something...'Introduces the central theme of Pressfield's philosophy: resistance.
    0:09Host gestures with hands outward. Text reads: 'the'.Host: '...the more resistance...'Names the core conflict every creative faces.
    0:10Host draws hands closer together. Text reads: 'the more resistance'.Host: '...you're gonna feel...'Validates the viewer's personal struggle with procrastination and fear.
    0:11Host clasps hands slightly. Text reads: 'you're gonna feel,'.Host: '...and therefore the more you need to do it.'Delivers a mindset shift turning resistance into an internal compass.
    0:12Host gestures with open palms. Text reads: 'the more you'.Host: 'That concept is a...'Frames the insight as a definitive breakthrough.
    0:13Host brings hands together again. Text reads: 'need to do it.'.Host: '...one move...'Builds suspense for the closing phrase.
    0:14Host maintains direct eye contact. Text reads: 'That concept is a'.Host: '...checkmate.'Puts an exclamation point on the power of the concept.
    0:15Host leans back slightly. Text reads: 'one move checkmate.'.Dramatic transitional sound effect hits.Signals a jump to the next high-value teaser quote.
    0:16Cut back to Pressfield making a fist gesture. Text reads: 'My job'.Pressfield: 'My job on a first draft...'Transitions from high-level mindset to practical craft execution.
    0:17Pressfield mimes painting with his hand. Text reads: 'on a first draft'.Pressfield: '...is just to get paint...'Introduces a vivid, demystifying metaphor for drafting.
    0:18Pressfield continues physical painting motion. Text reads: 'is just to get paint'.Pressfield: '...on every...'Maintains physical energy and focus on the writing process.
    0:19Pressfield sweeps his hand outward. Text reads: 'on every'.Pressfield continues describing his draft workflow.Draws the viewer in to see how he actually finishes full manuscripts.
    0:20Pressfield leans back into the chair while talking.Pressfield continues speaking seamlessly as the teaser wraps.Leaves an open loop about his complete drafting methodology.
    Click confirmation
    Immediately delivers in the first second by showing author Steven Pressfield talking directly about writing discipline.
    Time to the point
    0:03
    Hook
    contrarian take, bold claim, payoff preview
    Reason to stay
    Teases Pressfield's counterintuitive rules for beating creative resistance and drafting books, promising the full framework later in the episode.
    Missing on purpose
    No channel intro sequence, no host greeting, and no small talk; it cuts straight into three curated high-impact soundbites.
    Pace and texture
    Fast trailer pacing with cuts every 2 to 4 seconds, kinetic text synced to key words, and subtle musical swells under dialogue.

    Story map

    Explainer. David Perell questions veteran author Steven Pressfield to uncover how someone lacking natural creative genius can reliably produce great stories, facing the obstacles of internal resistance and cognitive exhaustion.

    TimeSectionNew tensionStakesTurnLoops
    0:00 –0:36Teaser & IntroductionDoes natural talent determine storytelling ability?RisePressfield claims discipline trumps raw talent, but writers must first survive creative resistance.Opens: How does an author actually cultivate discipline over raw talent?
    0:36 –2:46Daily Writing Routine & Cognitive LimitsCan a writer continue improving after dozens of published books?HoldPressfield works every day, therefore he monitors typos as the strict stopping cue for mental exhaustion.Opens: What separates productive writing time from routine administrative drift?
    2:46 –6:40Decades of Failure & BreakthroughHow does an artist know when decades of failure will finally turn into a career?RiseHe ran from writing for years, but sitting down to type garbage produced an unexpected internal peace.Opens: What physical tools allow an author to finish full manuscripts?
    6:40 –11:08First Drafts & The Blitzkrieg ApproachHow do you bypass perfectionism when drafting?RiseEarly drafts are inevitably terrible, therefore writers must advance like armored divisions bypassing obstacles.Opens: How does a writer internalize literary rhythm?Closes: How to handle terrible first drafts.
    11:08 –18:35Copywork & The Authentic SwingDoes copying other authors destroy a writer's original voice?HoldMimicking masters feels derivative, but re-typing classic prose accelerates finding one's innate style.Opens: How do narrative storytelling rules apply outside of fiction?Closes: Why copywork accelerates craft development.
    18:35 –25:25Screenwriting, Neshama, and Invoking the MuseWhere does genuine creative inspiration originate?HoldScreenwriting demands rigid structural beats, but artistic breakthroughs require reaching for higher spiritual assistance.Opens: How do you discover plot architecture before writing?
    25:25 –33:55Excavating the Story & Editing ComplexitiesCan a writer outline a complex narrative entirely in advance?RiseOutlines offer direction, yet discovering a book behaves like unearthing an unknown fossil.Opens: What specific skills prevent aspiring authors from quitting?Closes: How to structure complex fiction plots.
    33:55 –43:25Mental Toughness, Self-Doubt, and DisciplineWhy do most writers fail despite learning grammar and structure?RiseCraft mechanics are easy to teach, but surviving a 400-hour draft requires psychological toughness.Opens: What narrative role does an antagonist play in driving story?Closes: How discipline beats talent over a 400-hour draft.
    43:25 –50:08Narrative Principles: The Female Mystery & The VillainWhat dynamic creates tension across a long-form story?HoldProtagonists drive action, but the villain's pressure defines the hero's actual transformation.Opens: What creates emotional catharsis at the climax?Closes: How to construct compelling narrative conflict.
    50:08 –56:28Mentorship with Paul Rink & The Decades-Long ClimbHow can an untalented beginner survive years without validation?FallSag: no turn
    56:28 –1:05:55The All-Is-Lost Moment & Creative SurrenderWhy must every protagonist hit rock bottom?RiseHeroes cannot solve core crises with old material methods, therefore they must spiritually surrender to be reborn.Opens: How does an author capture indifferent modern readers?Closes: The structural role of the rock-bottom beat.
    1:05:55 –1:13:24Nobody Wants to Read Your Work & Saying NoHow do you protect writing time from social obligations?HoldAudience attention is hard to hold, therefore writers must ruthlessly pare down ideas and protect work blocks with 'Vitamin N'.Opens: How do period novelists make historical worlds believable?Closes: How to protect daily writing schedules.
    1:13:24 –1:23:00Style, Tone, & Heroic SufferingHow does an author choose prose style for different genres?FallSag: no turnCloses: How historical tone is established.
    1:23:00 –1:26:18Resistance, Love, & The Daily PressfieldHow do you sustain motivation when creative fear spikes?HoldResistance intensifies around what you love most, therefore facing high resistance proves the work's worth.Closes: How to conquer daily creative resistance.

    Payoff: delivered in part at 41:02. Pressfield provides actionable heuristics like 'cover the canvas' and the 60-scene clothesline method, but shifts the core promise away from story mechanics toward psychological resilience. Ending: Concludes with David holding up 'The Daily Pressfield' as an everyday manual against creative resistance, ending on warm mutual thanks and a podcast subscription card.

    Leaks

    Where a viewer might leave. Guesses from watching, not retention data.

    • 5:21 David and Steven enter an extended nostalgic tangent comparing typewriter keystroke mechanics to keyboard delete buttons, slowing down tactical writing advice.
    • 22:17 The dialogue shifts into personal prayer rituals, Jesus following, and Kabbalistic soul definitions, detouring from story architecture into theological reflections.
    • 1:14:53 The conversation lingers on historical library dictionaries and archaic word definitions, losing narrative drive.

    Steal this

    1. Aphorism Trailer Hook Drops viewers directly into counter-intuitive one-line declarations synced to bold text without introductory chitchat or host greetings. 0:00
    2. Tactical Domain Metaphor Explains messy draft momentum using a vivid non-literary framework (armored warfare bypassing roadblocks) to make creative advice immediately visual. 6:42
    3. Clothesline Card System Demystifies long-form structural revision by breaking complex novels into 60 movable index cards hung across three acts. 1:12:05

    Skip this

    • Spiritual prayer habits and Kabbalistic soul terminology. Works here because both David Perell and Steven Pressfield have dedicated audiences receptive to their specific metaphysical framing.
    • An unedited 86-minute two-camera studio conversation devoid of graphics, animations, or B-roll. Ries purely on the established prestige of bestselling author Steven Pressfield rather than pacing design.

    Open questions

    • Did viewer retention decline during the extended religious and theological prayer sequences around 22:00 and 58:00?
    • Would packaging the video around the specific '60-Scenes Outline Method' have earned stronger clickthrough than a generic interview label?

    Teardown by Avail.video from the thumbnail, the title, the first 20 seconds and the report's notes on the whole video.

    On screen

    Everything the video showed you

    Slides, frameworks, quotes and formulas, captured verbatim with the moment they appeared. Tap any card to jump there.

    Reference shelf

    People, ideas and things mentioned

    Said means mentioned aloud; Shown means it appeared on screen.

    People12

    Ideas & frameworks7

    • The War of ArtInfluential 2002 non-fiction book by Steven Pressfield on overcoming creative resistance26:40Said26:47Shown31:35Said1:13:45Said
    • The Legend of Bagger Vance1995 debut novel by Steven Pressfield adapted into a major motion picture0:52Said14:38Said
    • Gates of Fire1998 historical epic novel by Steven Pressfield recounting the Battle of Thermopylae0:55Said1:13:58Said
    • Nobody Wants to Read Your Sh*tBook by Steven Pressfield examining storytelling rules from advertising and screenwriting1:06:10Said
    • The Daily Pressfield365-day daily reader by Steven Pressfield addressing creative resistance20:15Said1:24:00Shown1:24:30Said
    • ResistanceUniversal, active, sabotaging psychological force that prevents creative execution0:08Said + shown21:58Said1:25:05Said
    • NeshamaKabbalistic Hebrew term for soul representing higher spiritual inspiration20:20Said

    Organizations1

    • Write of PassageOnline writing school founded by David Perell37:15Said
    Video description

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    By the numbers

    What YouTube shows about this video and its channel

    As of Oct 30, 2026. YouTube's public numbers first, then Avail.video's own arithmetic on them.

    The video

    Views
    127.5K
    Likes
    3.8K
    Comments
    222
    Published
    Nov 22, 2023
    Length
    1:26:18
    Category
    People & Blogs
    YouTube's topics
    Religion
    Captions
    Yes
    HD
    Yes
    Language
    English
    Paid promotion
    None declared
    Made for kids
    No
    License
    Standard YouTube

    Creator's tags

    • writing
    • books
    • advice
    • steven pressfield
    • the war of art

    The channel

    David Perell@davidperellchannel
    Subscribers
    333K
    Videos
    772
    Total views
    26.4M
    Channel age
    9 years (since Jan 2017)
    Country
    United States
    Uploads
    about every 6 days
    Across the last 8 long-form uploads
    Before this video
    —

    Calculated by Avail.video from YouTube's public numbers

    Outlier score
    0.7× · Typical
    Views against the median of the channel's last 8 long-form uploads
    Views per subscriber
    0.38
    Likes vs the channel's usual
    2.0× the channel's usual
    3.0% of views vs a usual 1.5%
    Comments vs the channel's usual
    1.5× the channel's usual
    0.17% of views vs a usual 0.11%
    Rank among recent uploads
    #6 of 9
    By views: this video and the channel's last 8 long-form uploads
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