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Michael Connelly: How to Write Bestselling Crime Fiction | How I Write

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149,558 views vs a median of 167,572 across the channel's last 8 long-form uploads · as of Oct 29

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Renowned crime author Michael Connelly sits down with David Perell to unpack the techniques behind writing over 40 bestselling novels and hit television shows. He details his reliance on singular 'telling details' over exhaustive description, his morning rewriting discipline, and why character must always drive plot and setting. Connelly also reflects on Los Angeles as an evolving backdrop, writing realistic dialogue through subtext, and the daily commitment required to sustain a lifelong writing career.

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Source: The Best Writing Advice He Ever Read (Michael Connelly Interview) · David Perell
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    In this extensive conversation on How I Write, bestselling crime novelist Michael Connelly breaks down the storytelling discipline behind his catalog of over 100 million sold books and critically acclaimed television series. Rather than bogging scenes down with dense, encyclopedic exposition, Connelly emphasizes the deliberate hunt for telling details2:45 that instantly open an imaginative portal for the reader. He recounts noticing a real detective whose bitten eyeglass frame revealed nervous intensity during homicide calls, arguing that excessive description acts like speed bumps3:35 that sabotage a thriller's forward momentum.

    Connelly’s minimalist efficiency was forged across fourteen years working as a newspaper police reporter. To protect focus and creative flow, he adheres to a strict morning writing block from 6:00 AM to 11:00 AM, routinely printing out and hand-editing yesterday's draft6:10 with pencil notations before updating his digital manuscript. By leaning on research specialists and longtime real-world contacts, Connelly structures his day to always be writing9:20 rather than falling down procedural rabbit holes. For him, every narrative component is secondary to character; to convince readers of an imaginary figure's reality, he grounds them in tangible environments, treating Los Angeles as an inexhaustible palette12:45 shaped by freeways, natural borders, and profound social friction.

    When shaping conversation, Connelly applies newspaper constraints, recommending that authors cut dialogue in half41:30 immediately after writing to eliminate flab and ensure every line carries actionable meaning. To sustain narrative drive, he strictly follows Kurt Vonnegut's timeless writing advice24:25—that every character on every page must want something, even if it is merely a glass of water. From relatable day-to-day gripes like gridlocked traffic to nuanced relational friction, conflict injects psychological subtext. This character-first principle even dictated the naming of his signature detective, borrowing from Hieronymus Bosch's triptych The Garden of Earthly Delights38:10 as an evocative metaphor for modern-day Southern California.

    Connelly avoids romanticizing or over-analyzing villains, choosing instead to focus on the heavy emotional cost endured by investigators who risk letting moral darkness metastasize49:40 into personal decay. Exploring his role adapting his novels into multi-season television shows, he highlights the structural differences between visual TV storytelling versus internal book depth57:30, praising serialized television for giving characters space to breathe. Connelly concludes by recalling his college mentor Harry Crews, urging every writer to write every single day without exception1:07:40 so that the current of the narrative never leaves their subconscious mind.

    Highlights
    1. 1:51The Value of Telling Details over Speed Bumps
    2. 5:50The Morning Paper-and-Pencil Rewriting Process
    3. 16:19Raymond Chandler's Influence and Chapter 13
    4. 24:15Applying Kurt Vonnegut's Rule on Constant Conflict
    5. 41:10Trimming Dialogue and Finding Nuanced Relational Subtext
    6. 1:06:35Harry Crews' Advice on Writing Every Day
    Chapters across the 1:11:38 runtime
    How it's told

    In-depth craft interview between two writers

    Format: Interview. Host David Perell interviews bestselling crime author Michael Connelly on his daily writing routine, character voice, and narrative momentum. Connelly explains how he builds authentic detective stories using telling details, edited dialogue, and the geography of Los Angeles.

    Story arc

    1. 0:00IntroductionPerell introduces Michael Connelly, highlighting his 100 million book sales and TV adaptations.
    2. 1:52Crafting DetailsConnelly discusses using telling details rather than exposition to maintain narrative momentum.
    3. 5:47Daily RoutineConnelly details his morning habit of printing out pages to rewrite and edit by hand.
    4. 7:39Journalism RootsConnelly explains how 14 years of crime reporting taught him discipline and authentic police procedure.
    5. 12:46Los Angeles as SettingConnelly outlines why the physical and cultural contrasts of Los Angeles make it an ideal backdrop for crime fiction.
    6. 16:13Raymond Chandler's InfluenceConnelly analyzes Raymond Chandler's prose in The Little Sister and how geography mirrors character psychology.
    7. 20:47Dialogue and VoiceConnelly explains the economy of words, character mannerisms, and shaping unique vocal styles.
    8. 27:05Grounding the NarrativeConnelly describes using relatable everyday details like traffic jams to ground crime fiction in reality.
    9. 31:14Big Ideas in CrimeThe conversation explores tackling societal questions like artificial intelligence within courtroom and crime narratives.
    10. 36:06Naming Harry BoschConnelly shares the origin of Harry Bosch's name and its connection to painter Hieronymus Bosch.
    11. 41:00Subtext and ConflictConnelly reveals his technique of cutting dialogue in half and embedding unspoken tension in scenes.
    12. 47:20Heroes, Villains, and DesiresConnelly explores Kurt Vonnegut's rule of character desire and the moral weight carried by protagonists.
    13. 52:14Hooking the ReaderConnelly explains his 'slingshot' technique for opening novels and propelling plot momentum.
    14. 57:00Books vs TelevisionConnelly compares novel interiority with screen visualization and describes working in Hollywood writers' rooms.
    15. 1:05:13Core Writing AdviceConnelly relays advice from his professor Harry Crews to write daily, reflecting on attention spans and modern reading.

    Setups and payoffs

    1. 1:52Setup Connelly discusses finding telling details from observing real detectives in action.
      ↳
      4:00Payoff Connelly illustrates this with a story of a detective unconsciously biting his glasses' earpiece at murder scenes.
    2. 3:34Setup Connelly emphasizes that narrative momentum is the paramount element of fiction.
      ↳
      52:14Payoff Connelly unpacks his 'slingshot' concept for accelerating the plot from chapter one.
    3. 16:13Setup Perell references Chapter 13 of Chandler's The Little Sister where Marlowe drives across LA.
      ↳
      35:56Payoff Connelly notes that Chandler's cross-city drive directly inspired how he mapped Harry Bosch's movements across Los Angeles.
    4. 20:53Setup Connelly highlights dialogue as the most crucial tool for establishing character.
      ↳
      41:27Payoff Connelly explains his rule of writing dialogue and immediately cutting it by half to preserve punch and realism.
    5. 36:06Setup Connelly shares how he named his lead character after Renaissance painter Hieronymus Bosch.
      ↳
      40:30Payoff Connelly recalls Dutch journalists telling him that the Dutch nickname for Hieronymus is 'Jerry,' not 'Harry.'
    6. 48:44Setup Connelly outlines the emotional and moral cost borne by characters investigating brutal crimes.
      ↳
      55:43Payoff Connelly shows how Bosch's devotion to cold cases consumes his personal life across decades.

    Devices

    • Kinetic text & quote cardsOn-screen quotation cards display prose excerpts from Raymond Chandler's The Little Sister.16:2117:43
    • Anecdotal illustrationConnelly shares specific real-world experiences from his reporting career to clarify abstract writing principles.4:0055:20
    • Visual metaphorsThe painting The Garden of Earthly Delights is examined on screen to explain thematic darkness in detective fiction.38:20
    • Host setup & promptPerell reads book excerpts and frames contrast questions comparing print narrative with television production.16:1657:00
    • Climactic narrative deviceConnelly details the 'slingshot' structure used to create early narrative acceleration.52:26

    From the video's own structure, matched to the transcript and on-screen text.

    Teardown

    A prestige craft interview that delivers masterclass tradecraft on pacing and dialogue, but performs at the channel median because a slow studio conversation lacks narrative propulsion.

    About typical for the channel: 0.9× its typical views (149,558 vs a median of 167,572 across the channel's last 8 long-form uploads, as of Oct 29) · Long-form interview · 231 days old

    The promise

    The viewer expects to learn the single most impactful piece of writing advice that bestselling author Michael Connelly ever received to improve their own craft.

    Packaging

    How it looks in the feed

    Show the feed as
    1:11:38

    The Best Writing Advice He Ever Read (Michael Connelly Interview)

    David Perell149K views · 7mo agoThis episode is presented by Mercury, the banking platform that makes this show possible. I can’t imagine trying to run my business without them. Learn more…

    Views and age as of the teardown, Oct 29, 2026. Other videos are blanked out.

    • 4/5Thumbnail imageMichael Connelly fills the left third of the frame with a thoughtful, candid gaze. The shallow depth of field keeps the subject crisp and separates him cleanly from the warm background.A close-up shot of Michael Connelly wearing round glasses with a soft-focus interior background.
    • 4/5Thumbnail text“"Details Kill Your Writing"”At four words, the phrase directly challenges standard creative writing conventions. The large white serif font remains clear and legible even at mobile thumbnail scale.Large white serif text in quotation marks reading Details Kill Your Writing stacked vertically on the right half of the image.
    • 3/5TitleThe title generates curiosity around a singular insight and anchors it with authority. Naming it as an interview reduces the sense of immediate, actionable urgency.Title text: The Best Writing Advice He Ever Read (Michael Connelly Interview).
    • 4/5Title + thumbnailThe thumbnail delivers a contrarian punchline, and the title provides the credibility and context to back it up. Together, they leave an unanswered question about why standard advice is wrong.The image proclaims details kill writing while the title attributes the insight to Michael Connelly.

    Curiosity gap: Why would descriptive details ruin good writing, and what did Michael Connelly learn to do instead?

    The three hooks

    The title, the thumbnail text and the first words spoken each make a promise, and each does a different job.

    • Title“The Best Writing Advice He Ever Read (Michael Connelly Interview)”Insider secretCuriosityOutcomeIt makes the viewer want to uncover the most valuable lesson learned by a world-famous crime novelist.
    • Thumbnail text“"Details Kill Your Writing"”Contrarian takeCuriosityLoss aversionIt makes the viewer want to know how including details could be actively hurting their writing.
    • First words spoken“Michael Connelly is a crime novelist who's famous for series like Harry Bosch and The Lincoln Lawyer.”AuthorityCuriosityProofIt tells the viewer they are listening to the mastermind behind Harry Bosch and The Lincoln Lawyer, making them want to uncover the storytelling machinery that sold 100 million copies.
    • PairingDifferent jobsThe thumbnail hooks the viewer with a counterintuitive assertion, while the title clarifies who is sharing the advice and why it matters.
    • StakesFitsMichael Connelly is a verified titan of commercial crime fiction, so delivering his top craft habits and the advice he learned from Harry Crews matches the title's promise.
    • UrgencyNoneThe interview is evergreen craft advice designed for timeless shelf-life rather than immediate breaking news.

    The first 20 seconds

    TimeWhat you seeWhat you hearWhat it does
    0:00Guest Michael Connelly talking, with on-screen text 'Michael Connelly' and podcast logo 'How I Write'.Host VO: 'Michael Connelly...'Immediately establishes who the guest is visually and verbally.
    0:01Michael Connelly speaking and gesturing in an armchair....is a crime novelist...Defines the guest's genre and professional identity.
    0:02Cut to host in navy sweater sitting in a classic library setting....who's famous for series...Introduces the host delivering direct-to-camera context.
    0:03Graphic card showing the cover of Connelly's novel 'The Black Echo'....like Harry Bosch...Triggers recognition with one of his most iconic book titles.
    0:04Graphic card showing the cover of 'The Lincoln Lawyer'....and The Lincoln Lawyer...Adds a second massive cultural touchpoint.
    0:05Cut back to host talking energetically with hand gestures....and combined, his series...Builds up to a major proof statistic.
    0:06Host continues speaking to camera....have sold more than...Sustains anticipation for the sales figure.
    0:07Cut to porch interview footage; text overlay '100 million' appears....a hundred million...Delivers a jaw-dropping credibility stat to validate authority.
    0:08Porch scene continues; text expands to '100 million books'....books.'Anchors the scale of his success in the viewer's mind.
    0:09Cut back to host talking to camera in the studio.'But then also, they've become...'Pivots from book publishing to screen adaptations.
    0:10Host emphasizing point with hand motions....TV shows...Expands the scope of Connelly's influence.
    0:11Host gestures while speaking....on...Leads into streaming platform logos.
    0:12Poster graphic for Netflix's 'The Lincoln Lawyer'....Netflix, on MGM...Connects guest to widely watched mainstream streaming television.
    0:13Poster graphic for Amazon Original 'Bosch'....and Amazon Prime...Shows the breadth of his Hollywood adaptations.
    0:14Poster of 'Bosch' remains on screen....where he's not just writing...Sets up that his role goes beyond basic author licensing.
    0:15Close-up profile of Michael Connelly listening outside....but he's the executive producer...Reframes him as a hands-on show creator.
    0:16Profile shot of Connelly with on-screen text 'Executive producer'....His fingerprints...Reinforces his creative control visually and audibly.
    0:17Connelly listening attentively in profile....are all over...Emphasizes his personal craft involvement.
    0:18Cut to host talking directly to the camera....the work.'Brings focus back to the interviewer to launch the core question.
    0:19Host leaning forward slightly to frame the premise.'So what...'Prepares to tee up the question driving the interview.
    0:20Host talking with open hands....I...'Leads directly into the interview's core learning promise.
    Click confirmation
    Instantly delivers on the title in 00:00 by showing Michael Connelly's face, his name on screen, and the host naming him within the first two seconds.
    Time to the point
    0:08
    Hook
    bold claim, stakes
    Reason to stay
    Discovering how a writer who sold 100 million books and produces hit TV shows creates his stories.
    Missing on purpose
    No channel intro animation, no generic welcome greetings, no sponsor plug, and no request to like or subscribe.
    Pace and texture
    Fast and punchy; cuts occur roughly every 1 to 2 seconds between the host, book covers, show posters, and interview b-roll, backed by energetic narration and subtle underscore.

    Story map

    Explainer. An ambitious craft interviewer wants to extract the operational secrets of a 100-million-copy bestseller, but the reality of commercial fiction writing is disciplined, slow daily routine rather than magic formulas.

    TimeSectionNew tensionStakesTurnLoops
    0:00 –1:51Introduction and SponsorDoes Michael Connelly's massive commercial track record translate into practical writing advice?RiseConnelly sold over 100 million books and executive produces hit TV shows, but the host cuts directly into a lengthy fintech sponsorship before asking a question.Opens: What writing principle allowed him to sell 100 million books?Closes: None
    1:51 –4:45Telling Details and Speed BumpsWhy do descriptive details ruin narrative momentum?RiseWriters think rich sensory description improves prose, but excessive details act like speed bumps that stop the reader's engine cold.Opens: How do you pick the single right detail instead of cataloging a scene?Closes: Why the thumbnail claims 'Details Kill Your Writing'
    4:45 –11:05Paper Rewrites and Reporting RootsCan digital tools match tactile editing routines?HoldConnelly has modern software, but he still prints every page onto physical paper each morning to mark cuts with a pencil before typing new words.Opens: How did crime reporting shape his fiction style?Closes: How Connelly edits his work daily
    11:05 –20:45Los Angeles Geography and Raymond ChandlerIs setting merely background decor or an active character?FallThe conversation drifts from general fiction tips into deep literary analysis of Raymond Chandler's 1949 novel, slowing the pace for non-genre fans.Opens: How does Los Angeles drive narrative conflict?Closes: Why Chandler mapped driving routes across LA
    20:45 –28:10Dialogue Economy and Vonnegut's RuleHow do you make dialogue sound real without rambling?RiseWriters write conversational filler, therefore Connelly immediately cuts all draft dialogue by 50 percent to make every line fight for space.Opens: How do you generate scene friction out of mundane tasks?Closes: How to make fictional dialogue feel authentic
    28:10 –41:05Place as Character and Naming Harry BoschHow does a character's name carry thematic weight?HoldBosch was originally named Pierce, but a college humanities class about painter Hieronymus Bosch sparked a lifelong metaphor for moral hell.Opens: Why did Dutch journalists laugh at Harry Bosch's name?Closes: The origin of Harry Bosch's name
    41:05 –52:05Subtext and Moral DarknessShould thrillers explore the psychology of the villain?RiseMost writers obsess over evil antagonists, but Connelly refuses to explore villain motives, focusing exclusively on the personal cost borne by investigators.Opens: How do you protect a protagonist from becoming cynical?Closes: How to write conflict where characters avoid stating the real issue
    52:05 –1:03:05The Slingshot Hook and Hollywood RoomsHow quickly must a novel pull the reader into the plot?RiseConnelly used to release the plot slingshot in 10 pages, but on his latest book he gambled two full opening chapters on a throwaway cold case anecdote.Opens: Does writing for television help or hurt novel writing?Closes: How to launch a novel's opening engine
    1:03:05 –1:11:38Harry Crews' Advice and AudiobooksWhat is the single best piece of writing advice Michael Connelly ever received?RiseAuthor Harry Crews skipped class and drank, but his one rule—write 15 minutes every single day without fail—anchored Connelly's entire 30-year career.Opens: Will audiobooks destroy reader attention spans?Closes: The core title promise: the best writing advice Connelly ever heard

    Payoff: delivered fully at 1:07:33. Connelly reveals the singular rule he received from his mentor Harry Crews: write every single day, even if it is only for 15 minutes, so the story never leaves your subconscious. Ending: A reflective exchange on physical books versus audiobooks and multitasking, ending abruptly on a warm handshake and thank you.

    Leaks

    Where a viewer might leave. Guesses from watching, not retention data.

    • 0:34 A 75-second mid-roll sponsor pitch for Mercury banking hits right before the guest even speaks his first word of craft advice.
    • 16:13 Reading lengthy quotes from Raymond Chandler's 1949 novel The Little Sister shifts the tone from tactical writing advice into academic literary criticism.
    • 38:41 A tangent about personal family vacations and tourist statues in Brussels derails the writing craft focus into casual chitchat.
    • 1:04:23 A nostalgic riff on 1950s diner architecture and neon fonts in West Hollywood pulls focus away from novel plotting techniques.

    Steal this

    1. Credibility Blitz Hook Flash the author's aggregate unit sales and iconic franchise titles within the first 8 seconds to earn immediate authority before any long-form discussion. 0:07
    2. The 50 Percent Dialogue Chop Draft dialogue naturally to capture the exchange, then forcibly cut it in half on rewrite so spoken lines carry subtext instead of exposition. 41:33
    3. The Slingshot Pacing Metaphor Explain narrative acceleration through a mechanical object: tension builds as you pull the band back, but holding it too long without firing makes the reader drop the book. 52:26
    4. The 15-Minute Continuity Rule Anchor writing advice to a tiny, non-negotiable minimum daily time limit that keeps the narrative subconscious active without burning out. 1:07:46

    Skip this

    • Putting an 80-second banking sponsor read at second 34 before the interview begins. Only works on an established podcast feed where listeners already trust the host and tolerate pre-roll reads.
    • Extended digressions on mid-century diner aesthetics and vintage European statues. General viewers drop off during host tangents unless they tune in specifically for the conversational chemistry of that host.

    Open questions

    • What percentage of viewers clicked specifically for the Raymond Chandler analysis versus general fiction advice?
    • Did audience retention drop steeply during the 1-minute Basecamp ad break at 19:44?

    Teardown by Avail.video from the thumbnail, the title, the first 20 seconds and the report's notes on the whole video.

    On screen

    Everything the video showed you

    Slides, frameworks, quotes and formulas, captured verbatim with the moment they appeared. Tap any card to jump there.

    Reference shelf

    People, ideas and things mentioned

    Said means mentioned aloud; Shown means it appeared on screen.

    People14

    • Michael ConnellyBestselling American crime novelist, creator of Harry Bosch and Mickey Haller.0:00Said + shown1:52Said + shown1:11:25Said
    • David PerellWriter, online teacher, and host of the 'How I Write' podcast.0:00Said + shown0:34Said + shown0:46Said1:52Said + shown
    • Raymond ChandlerInfluential hardboiled crime novelist and author of Los Angeles detective stories.16:13Said + shown16:18Said16:25Said
    • Geoff ManaughArchitectural writer and author of A Burglar's Guide to the City.14:04Said + shown
    • Jason FriedCo-founder and CEO of Basecamp and author of books on remote work and business.20:17Said + shown
    • Kurt VonnegutAcclaimed American satirical novelist and author of Slaughterhouse-Five.24:23Said + shown24:25Said42:23Said
    • Richard PriceAmerican novelist and screenwriter known for gritty urban dramas.29:18Said
    • Hieronymus Bosch15th-century Dutch painter renowned for surreal, moralistic triptychs.37:04Said + shown37:05Said38:10Said
    • Lana Del ReyAmerican singer-songwriter known for cinematic pop music and Los Angeles imagery.47:02Said
    • Stephen J. CannellProlific American television producer, writer, and novelist.47:49Said
    • Harry CrewsSouthern Gothic novelist and creative writing professor at the University of Florida.1:07:04Said1:07:05Said
    • Lee ChildBritish author best known for the Jack Reacher thriller novel series.1:08:12Said
    • Matt DamonAcademy Award-winning American actor and screenwriter.1:09:35Said
    • Ben AffleckAcademy Award-winning American actor, screenwriter, and filmmaker.1:09:35Said

    Ideas & frameworks9

    • Harry BoschIconic fictional LAPD homicide detective created by Michael Connelly.0:04Said22:10Said36:50Said
    • The Lincoln LawyerBestselling novel series and television adaptation revolving around defense attorney Mickey Haller.0:04Said + shown19:05Said
    • The Black EchoMichael Connelly's 1992 debut novel introducing detective Harry Bosch.0:03Shown
    • The Little Sister1949 hardboiled detective novel by Raymond Chandler featuring Philip Marlowe.16:13Said + shown
    • A Burglar's Guide to the CityNonfiction book by Geoff Manaugh exploring city layouts through the eyes of burglars.14:04Said + shown
    • Remote: Office Not RequiredBook on remote work by Basecamp co-founders Jason Fried and David Heinemeier Hansson.20:27Shown
    • Getting RealBusiness and software development book by 37signals/Basecamp.20:28Shown
    • Slaughterhouse-FiveSemi-autobiographical anti-war science fiction novel by Kurt Vonnegut.24:23Shown
    • The Proving GroundShort story or work by Michael Connelly referenced in the discussion.31:58Shown

    Organizations1

    • MercuryFintech company providing business banking and financial workflow software.0:37Said + shown

    Things on screen2

    • The Garden of Earthly DelightsFamous oil painting triptych by Early Netherlandish master Hieronymus Bosch.38:15Said38:20Shown
    • BasecampProject management and team communication software platform.19:49Said + shown
    Video description

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    By the numbers

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    As of Oct 29, 2026. YouTube's public numbers first, then Avail.video's own arithmetic on them.

    The video

    Views
    149.6K
    Likes
    2.9K
    Comments
    125
    Published
    Mar 11, 2026
    Length
    1:11:38
    Category
    People & Blogs
    YouTube's topics
    Knowledge
    Captions
    No
    HD
    Yes
    Language
    English
    Paid promotion
    None declared
    Made for kids
    No
    License
    Standard YouTube

    Creator's tags

    • writing advice
    • how to write
    • writing guide
    • writing
    • advice
    • writing lessons
    • writing books
    • writing online
    • writing essays
    • writing articles
    • knowledge
    • productivity
    • david perell
    • how i write
    • podcast

    The channel

    David Perell@davidperellchannel
    Subscribers
    333K
    Videos
    771
    Total views
    26.3M
    Channel age
    9 years (since Jan 2017)
    Country
    United States
    Uploads
    about every 6 days
    Across the last 8 long-form uploads
    Before this video
    —

    Calculated by Avail.video from YouTube's public numbers

    Outlier score
    0.9× · Typical
    Views against the median of the channel's last 8 long-form uploads
    Views per subscriber
    0.45
    Likes vs the channel's usual
    1.3× the channel's usual
    1.9% of views vs a usual 1.5%
    Comments vs the channel's usual
    0.7× the channel's usual
    0.084% of views vs a usual 0.12%
    Rank among recent uploads
    #6 of 9
    By views: this video and the channel's last 8 long-form uploads
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