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Harlan Coben: How to Write a Bestselling Thriller | How I Write with David Perell

Outlier score1.0×Typical

168,865 views vs a median of 166,273 across the channel's last 7 long-form uploads · as of Oct 29

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In this in-depth conversation on the How I Write podcast, blockbuster novelist Harlan Coben breaks down his storytelling craft across 38 bestselling books and numerous television adaptations. He shares practical wisdom on starting from a 'What If?' premise, navigating plots using a GPS approach with a known destination, crafting organic dialogue, embracing the shitty first draft, and treating writing as a committed job rather than waiting for inspiration.

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How it earns the click and holds attention, second by second.

16chapters9on-screen captures11people5named frameworks18claims and stats17references in all
Source: How to Write a Novel (For Beginners) — Harlan Coben Interview · David Perell
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    The explainer

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    A 2-minute read. Each underlined phrase opens the video at that second.

    Harlan Coben, author of dozens of internationally bestselling novels, approaches storytelling not as high art waiting for divine inspiration, but as an active craft anchored by deep empathy and relentless momentum. Every novel begins with a simple question: the core what-if exercise0:35. For Coben, everyday occurrences—such as hearing teenagers chat about driving or spotting an unsupervised child while hiking—serve as springboards into suspenseful dilemmas. Rather than planning every beat upfront, Coben relies on what he terms the GPS theory of plotting4:58. By knowing his ending destination in advance, like driving toward Los Angeles from New Jersey, he allows himself complete freedom to take unplanned detours, explore unexpected subplots, and let secondary characters hijack scenes without getting lost.

    Coben rejects the romanticized notion of the artist waiting passively for inspiration, emphasizing that amateurs wait for inspiration while professionals work17:47. He embraces the inner critic and self-doubt, turning fear into fuel to push through the shitty first draft12:40. Crucially, he insists that nobody should ever read that first raw draft. To maintain momentum, Coben maintains a dedicated 'spare' file where he cuts excised material—typically accumulating 50 pages per book without ever needing to restore a single paragraph, demonstrating how writers can easily cut more than they think8:21.

    quote
    Amateurs sit and wait for inspiration, the rest of us just get up and go to work.Stephen King
    ▶ 17:46
    On screen at 17:46

    When constructing narrative components, Coben rejects conventional creative writing taxonomy that separates plot, character, and setting. Instead, he treats them as a unified holistic entity29:49, citing examples like Batman, Spider-Man, and his own novel The Boy from the Woods to demonstrate that characters are revealed through action, setting dictates plot possibilities, and dialogue reveals authentic character35:50. In dialogue, Coben advises writers to aim for authenticity rather than realism, creating sharp, witty exchanges that inject urgency and humor to stir pulse and heart7:05.

    Coben also highlights the psychological discipline required to finish books. He strongly advises aspiring writers to stop talking about what they are writing1:05:30, because sharing premature elevator pitches deflates creative drive. Furthermore, he identifies as a 'serial routinist,' adapting his working environment whenever a spot goes stale, having written complete novels in the back of moving Ubers1:08:50 and next to grocery store deli counters. Ultimately, he sees the thriller not as a rigid genre, but as a flexible vessel to explore universal hopes and dreams1:13:45 through the lens of ordinary people confronting impossible dilemmas.

    Highlights
    1. 4:58The GPS theory of plotting and knowing the ending
    2. 17:38The blue-collar work ethic vs. waiting for the muse
    3. 29:49Why plot, character, and setting are inseparable
    4. 36:07Writing authentic dialogue that moves the narrative
    5. 47:40Suspense mechanics, Hitchcock, and prison escapes
    6. 1:05:30Why you should never talk about what you are writing
    Chapters across the 1:14:26 runtime
    How it's told

    A studio interview detailing thriller craft and habits

    Format: Interview. David Perell interviews bestselling thriller novelist Harlan Coben on his pragmatic approach to plotting, dialogue, and work habits. Coben explains why knowing your ending unlocks spontaneous discovery and how treating writing as a committed job trumps waiting for inspiration.

    Story arc

    1. 0:00IntroductionDavid Perell introduces Harlan Coben's prolific career and mindset.
    2. 0:44The 'What If' QuestionCultivating an observational writer's mind and identifying story premises.
    3. 2:13The GPS Theory of WritingWhy knowing the ending allows creative freedom along the way.
    4. 5:38Genre vs. FormTreating the thriller structure as an exacting formal vehicle for emotional truth.
    5. 7:38The Drafting ProcessThe 'spare' file, ruthless trimming, and managing self-doubt.
    6. 9:02Sponsor BreakProfile of Alpha School's accelerated academic model.
    7. 10:21Writing as a PracticeDismissing divine inspiration and treating writing as a committed job.
    8. 18:30Passion for CreationLoving the finished book over the agonizing process of drafting.
    9. 23:47Adapting Books to ScreenVisual versus internal storytelling across mediums.
    10. 28:49Merging Plot, Character, and SettingWhy separating craft elements into distinct buckets fails.
    11. 35:09The Art of DialogueRhythm, brevity, authenticity, and using dialogue to reveal character.
    12. 41:16Dynamics of SuspensePacing contrast, answered questions, and emotional stakes.
    13. 51:20Hooks and Narrative EconomyStarting in the middle and making a narrative promise.
    14. 55:12The Evocative DetailUsing the 'flushed toilet' sensory moment to bring scenes alive.
    15. 1:04:37Professional HabitsAvoiding writer talk, writing in Ubers and delis, and protecting priorities.
    16. 1:12:31ConclusionWhy heart and human connection matter most in genre storytelling.

    Setups and payoffs

    1. 0:27Setup David Perell mentions Harlan's core mantra of asking 'what if'
      ↳
      0:58Payoff Harlan breaks down how he applies 'what if' to everyday observations on the street.
    2. 1:13Setup Harlan shares the premise of Promise Me sparked by overhearing teenagers
      ↳
      32:20Payoff Harlan illustrates another real-life origin story for The Boy from the Woods while hiking.
    3. 4:26Setup Harlan insists he must know the ending before starting
      ↳
      5:00Payoff Harlan explains his GPS metaphor where having a destination enables off-roading.
    4. 6:05Setup Harlan mentions viewing thriller not as a genre but as a form
      ↳
      1:12:37Payoff Harlan circles back to explain thriller as a strict form like a poetic sonnet.
    5. 35:28Setup Harlan quotes Elmore Leonard on cutting parts people skip
      ↳
      58:20Payoff Harlan elaborates on stripping out flab so every line remains gripping.
    6. 56:15Setup Harlan shares Warren Murphy's cabin toilet flush example
      ↳
      1:09:50Payoff Harlan advises writers to identify their own 'flushed toilet moment' when building scenes.
    7. 1:00:15Setup David reads Coben's quote about making time to write
      ↳
      1:10:43Payoff Harlan backs up the quote by recounting Mary Higgins Clark waking at 5:00 AM as a widowed mother of five.

    Devices

    • MetaphorCoben compares writing a short story to a fling and writing a novel to a marriage3:10
    • AnalogyThe GPS theory of storytelling, where Los Angeles is the fixed ending and detours represent narrative discovery4:56
    • AnalogyThe deflating balloon metaphor explaining why pitching your book idea at parties drains writing momentum1:05:18
    • AnalogyRiding a horse until it dies to describe exhausting productive writing locations before moving to a new spot1:08:36
    • Sensory imageryThe flushed toilet upstairs in an empty cabin as the supreme example of evocative sensory suspense56:15
    • On-screen quote cardsDisplaying authorial quotes from Doctorow, Flaubert, King, Parker, and Vonnegut to frame conversational transitions4:1815:3717:4619:2251:24

    From the video's own structure, matched to the transcript and on-screen text.

    Teardown

    Viewers click for the sharp promise that a 38-time bestselling novelist will expose their amateur writing habits, and they stay for Coben's blunt, unsentimental deconstruction of plotting, discipline, and drafting.

    About typical for the channel: 1.0× its typical views (168,865 vs a median of 166,273 across the channel's last 7 long-form uploads, as of Oct 29) · Long-form interview · 49 days old

    The promise

    An aspiring novelist will learn how to write their first book by discovering what actually separates bad writers from good ones through advice from Harlan Coben.

    Packaging

    How it looks in the feed

    Show the feed as
    1:14:26

    How to Write a Novel (For Beginners) — Harlan Coben Interview

    David Perell168K views · 1mo agoLearn more about Alpha School at ⁠https://go.alpha.school/howiwrite Harlan Coben has written 38 books. If you want to write thrilling and suspenseful stories…

    Views and age as of the teardown, Oct 29, 2026. Other videos are blanked out.

    • 4/5Thumbnail imageClean framing with Harlan Coben positioned clearly on the left third looking focused. The lighting and sharp focus make it easily readable at mobile scale, though it remains a conventional talking-head portrait.Close-up shot of Harlan Coben wearing glasses with a serious expression against a soft, blurred background.
    • 5/5Thumbnail text““Bad Writers Think They're Good””The line directly targets the core insecurity of every aspiring author. It instantly challenges the viewer's self-perception without revealing the full lesson.Five words in white serif font reading '“Bad Writers Think They're Good”' positioned on the right half.
    • 3/5TitleClear and search-friendly, clearly stating the topic and guest authority. However, it relies on standard phrasing that feels somewhat generic compared to the thumbnail.Phrased as 'How to Write a Novel (For Beginners) — Harlan Coben Interview' with topic first and guest name appended.
    • 4/5Title + thumbnailThey work together effectively by splitting duties between emotional provocation and practical utility. The thumbnail delivers the emotional jolt while the title explains what the video actually delivers.The thumbnail quote challenges writing ability while the title offers a beginner novel-writing guide.

    Curiosity gap: Viewers want to know why confidence might mean they are actually a bad writer and what mindset Harlan Coben says a real novelist needs.

    The three hooks

    The title, the thumbnail text and the first words spoken each make a promise, and each does a different job.

    • Title“How to Write a Novel (For Beginners) — Harlan Coben Interview”How-toOutcomeIt makes the viewer want an actionable framework to begin writing their first novel.
    • Thumbnail text““Bad Writers Think They're Good””DiagnosisLoss aversionCuriosityIt makes the viewer want to check whether their own confidence makes them a bad writer.
    • First words spoken“Harlan Coben has written 38 books.”AuthorityProofOutcomeIt establishes Coben's prolific track record immediately so the viewer feels his advice comes from proven commercial authority rather than academic theory.
    • PairingDifferent jobsThe thumbnail creates tension around writer competence while the title provides the functional guide and interview subject.
    • StakesFitsAspiring authors risk wasting months on unfinishable drafts, so Coben's practical guidance on discipline and structure accurately meets the packaging promise.
    • UrgencyNoneThe video provides evergreen craft guidance on long-form novel writing without imposing artificial deadlines or fear of missing out.

    The first 20 seconds

    TimeWhat you seeWhat you hearWhat it does
    0:00Harlan Coben gesturing and talking with the text overlay 'Harlan'.Upbeat acoustic guitar begins; narrator says, 'Harlan Coben has...'Immediately introduces the guest and matches the title promise.
    0:01Book cover graphic of Harlan Coben's novel 'Fool Me Once'....written 38 books.'Establishes massive authority and track record with hard data.
    0:02Book cover on a textured background.'And if you want to write...'Shifts focus from the guest's credentials to the viewer's goal.
    0:03Wide two-shot of Harlan and host seated by a fireplace with text 'Thrilling'....thrilling and...'Shows the interview setting while highlighting genre appeal.
    0:04Same wide two-shot with text changing to 'Suspenseful'....suspenseful stories, then he's the guy to learn from.'Delivers the core premise: this interview will teach you how to write.
    0:05Close-up of the host talking directly to the camera.'His vibe is like...'Builds personal connection and frames the guest's personality.
    0:06Host gesticulating with both hands....the tough love...'Sets an expectation of direct, no-nonsense feedback.
    0:07Host continuing to talk with expressive hand gestures....basketball coach...'Uses a familiar archetype to describe the teaching style.
    0:08Host emphasizing his words directly to camera....who's going to tell you what you need to hear...'Promises practical truth over sugarcoated advice.
    0:09Cut to Harlan Coben talking animatedly in the interview chair....not what you want to hear.'Visual proof of Harlan's passionate, candid demeanor.
    0:10Harlan pointing his index finger emphatically.Host pauses slightly as music continues underneath.Reinforces the tough-love coaching style.
    0:11Harlan counting off two fingers while talking.'And though it might be...'Narrator acknowledges the difficulty of hearing hard truths.
    0:12Cut back to host speaking to camera with an engaging smile....a little bit tough in the moment...'Validates the emotional discomfort of writing advice.
    0:13Host gesturing with his right hand....I promise...'Offers a direct creator guarantee to build trust.
    0:14Host raising both hands enthusiastically....you're going to leave this conversation...'Previews the emotional payoff of watching until the end.
    0:15Still photo of host and Harlan outdoors, accompanied by camera shutter SFX....motivated...'Proves in-person access and warmth between the two.
    0:16Cut to outdoor footage of Harlan and host laughing together in a garden....to write, to get back...'Shows real rapport and lifts the energy.
    0:17Harlan talking and smiling warmly outdoors....to working on...'Reinforces that the advice comes from a supportive mentor.
    0:18Harlan laughing during the garden conversation.Music swells slightly as narration continues.Humanizes the bestselling author.
    0:19Cut back to living room, both holding copies of Harlan Coben books....what...'Brings the focus back to the finished books and writing craft.
    0:20Host holding a book and gesturing toward Harlan....you're working on.'Ends intro on an action-oriented call to the viewer's manuscript.
    Click confirmation
    The opening frame and line instantly confirm the click by showing Harlan Coben and stating he has written 38 books within the first two seconds.
    Time to the point
    0:04
    Hook
    bold claim, payoff preview
    Reason to stay
    The promise that Coben will deliver blunt, no-fluff advice that will leave the viewer motivated to write their own book by the end of the video.
    Missing on purpose
    No channel intro, no greeting, no self-introduction, and no subscribe request.
    Pace and texture
    Fast-paced with cuts every one to two seconds, alternating between direct-to-camera address, interview b-roll, graphics, and outdoor candid footage.

    Story map

    Tutorial. An aspiring novelist wants to finish their first book but is blocked by perfectionism and romantic myths about inspiration; Harlan Coben provides tactical framing (GPS plotting, the 'spare' file, and the shitty first draft) to force them past self-doubt into consistent output.

    TimeSectionNew tensionStakesTurnLoops
    0:00 –2:11The 'What If?' MindsetHow do bestselling authors come up with premises out of mundane situations?RiseAnyone can observe daily life, but writers train themselves to interrogate ordinary events with 'what if' to generate entire plots.Opens: What separates an everyday thought from a viable novel idea?Closes: How Harlan conceived 'Promise Me' from overhearing teenagers.
    2:11 –6:05GPS Theory of PlottingDoes planning your ending kill creative spontaneity along the way?RiseHaving unlimited choices causes paralysis; therefore, locking in the final destination frees the writer to take scenic narrative detours without getting lost.Opens: How much of the plot must you know before writing page one?Closes: The GPS analogy of driving to LA with room for off-roading.
    6:05 –9:02Thriller as Form and Cutting Your DarlingsIs writing a commercial thriller just mechanical formula?HoldThrillers enforce strict structural pacing, but without genuine emotional heart, the mechanics fall flat.Opens: How do you maintain narrative velocity without gutting character depth?Closes: How Coben uses a 50-page 'Spare' file to cut ruthlessly without anxiety.
    9:02 –10:22Sponsor: Alpha SchoolCan conventional education be redesigned around mastery?FallSag: no turnOpens: What alternative schooling models exist?Closes: Alpha School sponsorship details and web link.
    10:22 –14:08The Shitty First DraftWhy do beginner drafts feel so hopelessly bad?RiseWriters expect immediate competence, but novel writing requires practicing through terrible early drafts that no one else is permitted to see.Opens: How does a writer keep going when the work feels terrible?Closes: The rule of never showing anyone your first draft.
    14:08 –18:31The Myth of the MuseDoes brilliant writing require waiting for divine artistic inspiration?RiseRomanticizing the muse leads to excuses; therefore, true professionals structure an orderly suburban life and simply clock in.Opens: Why do confident beginner writers fail?Closes: The thumbnail quote: 'Only bad writers think they're good.'
    18:31 –23:48Creation vs. ProcessShould you write purely for yourself or write to be read?HoldDrafting is often agonizing rather than blissful, but focusing on the finished communication with a future reader sustains motivation.Opens: Is commercial ambition antithetical to genuine art?Closes: Debunking the idea that real authors write only for themselves.
    23:48 –28:49Adapting for the ScreenShould a screen adaptation remain strictly faithful to the original book?FallNovels rely on internal monologues, but television is purely visual; therefore, screen adaptations require aggressive structural reinvention.Opens: How do you translate literary interiority to visual media?Closes: Why Coben altered characters and subplots for Netflix.
    28:49 –35:08Plot, Character, and Setting as OneShould you build characters first or invent the plot first?RiseTreating craft elements as isolated textbook categories creates wooden stories; in real narrative, character choices are plot and settings force action.Opens: How do Batman and Spider-Man demonstrate unified craft?Closes: How hiking in the Ramapo mountains generated 'The Boy from the Woods'.
    35:08 –41:12Writing Urgent DialogueWhy does realistic speech fail on the printed page?HoldReal speech is full of boring filler; therefore, dialogue must create the illusion of authenticity while stripping out every word readers would skip.Opens: How do you give a conversation dramatic tension?Closes: Using Elmore Leonard's dialogue rules to reveal personality.
    41:12 –47:40Tone, Grief, and HopeCan a fast-paced thriller sustain deep grief without grinding to a halt?HoldConstant action numbs an audience; therefore, a writer must build quiet pools of emotion so subsequent plot shocks hit with full force.Opens: Why does Coben obsess over missing person plots?Closes: How personal family losses made hope his primary creative theme.
    47:40 –52:05Hitchcockian Suspense and First SentencesHow do you hook a distracted reader on the very first sentence?RiseStarting with slow exposition loses modern readers; therefore, novels must open in media res with an immediate narrative promise.Opens: When should the bomb go off under Hitchcock's table?Closes: Deconstructing the opening line of 'I Will Find You'.
    52:05 –1:00:00The Flushed Toilet DetailHow much descriptive detail is required to establish atmosphere?HoldLong paragraphs of scenery bore readers; therefore, the author must hunt for the single evocative sensory detail that implies the whole scene.Opens: What is the scariest sound in fiction?Closes: Warren Murphy's cabin toilet flush example.
    1:00:00 –1:04:39Pacing and Secondary CharactersHow do you sustain forward momentum across 400 pages?FallSag: no turnOpens: How do minor walk-on characters evolve into plot drivers?Closes: Balancing cliffhangers with character progression.
    1:04:39 –1:12:32Protecting Momentum and Quirky RoutinesWhy does talking about your book idea make it harder to actually write?HoldExplaining your plot to friends vents creative pressure like a deflating balloon; therefore, keep the idea trapped inside until you put it on the page.Opens: Where can a busy person find time to write?Closes: Mary Higgins Clark's 5:00 AM routine and writing in Ubers.
    1:12:32 –1:14:26Heart Over GenreWhat is the ultimate purpose of writing commercial thrillers?RiseClever plot mechanics create a temporary puzzle, but honoring human emotional truth is what makes a story endure.Opens: What should the beginner take away from 38 books?Closes: The call to get back to the desk and finish the work.

    Payoff: delivered fully at 14:27. Coben directly addresses the thumbnail hook at 14:27 by explaining why overconfidence ruins writers and why imposter syndrome and fear are necessary creative fuels. Ending: Coben closes by reinforcing that genre technique is worthless without genuine human empathy, concluding on a warm, encouraging handshake that sends the viewer back to their manuscript.

    Leaks

    Where a viewer might leave. Guesses from watching, not retention data.

    • 9:02 A hard commercial sponsor integration for Alpha School interrupts the craft momentum right after the initial writing advice begins.
    • 23:48 The conversation shifts heavily into Hollywood TV development and streaming show contracts, drifting away from the beginner novel-writing promise.
    • 43:50 An extended personal detour into childhood losses and delivering seven eulogies slows down tactical instruction in favor of biographical reflection.

    Steal this

    1. The GPS constraint metaphor Framing narrative discovery as a road trip with a locked destination gives creators permission to improvise while reassuring them they will not lose the plot. 4:59
    2. On-screen literary quote cards as visual chapter transitions Displaying a sharp author quote fullscreen gives viewers a visual breather and sets up the next intellectual topic without abrupt cuts. 4:18
    3. The 'Spare File' psychological release valve Advising creators to paste cut text into a separate document instead of deleting it permanently removes the anxiety of trimming bloated drafts. 8:19
    4. The 'Flushed Toilet' sensory anchor Teaching students to hunt for the single startling detail rather than listing pages of environmental description creates instant scene tension. 56:15

    Skip this

    • Relying on a 74-minute static two-camera living room interview. This format depends entirely on Coben's 38-book celebrity authority and Perell's established podcast following; an unestablished creator would face severe mid-video drop-off without heavy editing or visual demonstrations.
    • Name-dropping elite New York literary roundtables and Netflix showrunner anecdotes. References to private lunches with Mary Higgins Clark and casting decisions on Netflix sets are only credible when coming from a veteran bestselling insider.

    Open questions

    • Did viewer retention dip sharply during the Netflix TV adaptation discussion between 23:48 and 28:49?
    • Did viewers arrive searching for a tactical novel outline or because of Harlan Coben's name on Netflix?
    • How many viewers dropped off during the sponsor segment at 09:02?

    Teardown by Avail.video from the thumbnail, the title, the first 20 seconds and the report's notes on the whole video.

    On screen

    Everything the video showed you

    Slides, frameworks, quotes and formulas, captured verbatim with the moment they appeared. Tap any card to jump there.

    Reference shelf

    People, ideas and things mentioned

    Said means mentioned aloud; Shown means it appeared on screen.

    People11

    • Harlan CobenProlific American mystery and thriller novelist with over 38 books0:00Said + shown0:01Said + shown29:00Said
    • David PerellHost of the How I Write podcast and writing educator0:00Said + shown0:01Said9:18Said
    • E. L. DoctorowAmerican novelist known for his historical fiction and craft reflections4:07Shown4:08Said + shown4:18Said + shown
    • Gustave FlaubertFrench novelist known for Madame Bovary and disciplined artistic routine15:36Said15:37Shown15:38Said + shown
    • Stephen KingProlific American author of horror, supernatural, and suspense fiction17:46Shown17:47Said
    • Dorothy ParkerAmerican poet, writer, and satirist celebrated for her sharp wit19:22Shown19:24Said
    • Elmore LeonardAmerican crime novelist and screenwriter celebrated for naturalistic dialogue35:23Shown35:25Said + shown35:29Said + shown
    • Alfred HitchcockEnglish filmmaker renowned as the Master of Suspense47:00Said47:01Said47:40Said47:42Said
    • Kurt VonnegutAmerican satirical novelist and author of Slaughterhouse-Five51:21Shown51:22Said + shown51:24Said + shown
    • Mary Higgins ClarkBestselling suspense novelist and early writing mentor to Harlan Coben55:38Said55:44Said1:00:36Said1:00:40Shown1:10:35Said1:10:37Said
    • James M. CainAmerican hardboiled crime fiction novelist and journalist27:55Said27:57Shown27:58Said

    Ideas & frameworks5

    • Plot TwistHarlan Coben's memoir and guide on the craft of novel writing0:21Shown0:22Shown29:00Said29:02Shown
    • The StrangerThriller novel by Harlan Coben adapted into a Netflix limited series26:02Shown26:04Said + shown26:05Said1:08:48Said1:08:51Shown
    • The Boy from the WoodsThriller novel by Harlan Coben featuring the protagonist Wilde21:00Said + shown32:25Said32:26Shown
    • I Will Find YouNovel by Harlan Coben adapted into a television series24:05Said24:16Shown44:40Shown44:45Said + shown48:22Shown
    • Myron BolitarRecurring fictional protagonist in Harlan Coben's mystery novel series38:35Said38:41Said41:43Said46:47Said1:02:45Said1:02:50Said

    Organizations1

    • Alpha SchoolInnovative K-12 school model featuring two-hour academic days9:18Said + shown9:19Shown9:34Shown
    Video description

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    By the numbers

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    The video

    Views
    168.9K
    Likes
    2.5K
    Comments
    195
    Published
    Sep 9, 2026
    Length
    1:14:26
    Category
    People & Blogs
    YouTube's topics
    Knowledge
    Captions
    No
    HD
    Yes
    Language
    English
    Paid promotion
    None declared
    Made for kids
    No
    License
    Standard YouTube

    Creator's tags

    • writing advice
    • how to write
    • writing guide
    • writing
    • advice
    • writing lessons
    • writing books
    • writing online
    • writing essays
    • writing articles
    • knowledge
    • productivity
    • david perell
    • how i write
    • podcast

    The channel

    David Perell@davidperellchannel
    Subscribers
    333K
    Videos
    771
    Total views
    26.3M
    Channel age
    9 years (since Jan 2017)
    Country
    United States
    Uploads
    about every 6 days
    Across the last 7 long-form uploads
    Before this video
    —

    Calculated by Avail.video from YouTube's public numbers

    Outlier score
    1.0× · Typical
    Views against the median of the channel's last 7 long-form uploads
    Views per subscriber
    0.51
    Likes vs the channel's usual
    1.0× the channel's usual
    1.5% of views vs a usual 1.5%
    Comments vs the channel's usual
    1.0× the channel's usual
    0.12% of views vs a usual 0.12%
    Rank among recent uploads
    #4 of 8
    By views: this video and the channel's last 7 long-form uploads
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    Watched by Avail.video · 2026-10-29